Characters – 5/5
Plot – 4/5
Style – 5/5
Setting – 4/5
Overall – 5/5
“Every great character, Iz, be it on page or screen, is multidimensional. The good guys aren’t all good, the bad guys aren’t all bad, and any character wholly one or the other shouldn’t exist at all. Remember this when I describe the antics that follow, for though I am not a villain, I am not immune to villainy.”
Being called out of class isn’t exactly a new one on Mim, but overhearing the principle discussing her mother’s deteriorating health with her father and step-monster certainly is. And it’s the last straw. Dragged 1,000 miles away to live in Mississippi when her parents divorced, Mim decides it’s about time she made good on her plans to visit her mum in Ohio. Stealing all the money in the house she can find, Mim jumps on the next Greyhound bus and sets off into the world to make things right.
MOSQUITOLAND has a simple but fast-paced plot that is built around the characters Mim encounters on her journey to find her mother. Making plenty of friends and enemies on the way to her mother, Mim’s story is one of humanity and, like all good road trips, figuring out where she stands on family, friends and matters of the heart (in all their incarnations). I never knew what was coming next with Mim, she’s as unpredictable as they come, with all the accompanying excitement.
David Arnold’s style is perfectly pitched between humour and gravity, and feels incredibly genuine from our young heroine’s mouth. Despite spending a fair amount of time travelling and waiting, there is never a dull moment in MOSQUITOLAND with a pace which flows quickly throughout the whole novel.
Told through a combination of letters to Isabelle and an up-close and personal first person narrative, getting inside Mim’s head is an extremely simple, if not occasionally uncomfortable, experience. Medicated at the insistence of her protective father, knowing that what Mim is thinking and feeling is real isn’t entirely straightforward.
Mim is just about the bravest, most relatable, most human YA protagonist that I have yet to come across (and please let there be more). Melinda Salisbury gave a passionate speech at YAShot this year on feminism and the notion of strong female protagonists. She said that being strong is so much more than just having a ‘sassy’ narrative or a physical advantage, that there a million different ways to be strong, from standing up for what you believe in to having the courage to walk away. For me, Mim represents exactly what Melinda was talking about. She is a real human being who is full of the bravado of a confident teenager to the world but, in reality, is just as confused and anxious as everyone else.
Mim may have a funny, nonchalant voice but it is her true self that really makes MOQUITOLAND stand out as honest, liberating and most importantly, believable. The way she interacts with other characters isn’t always flattering, but she does have more redeeming features than she probably even realises. Her partners in crime: Arlene, Walt, Beck and a whole host of Carls, are just as well developed and endearing as she is.
It’s the things that Mim learns about herself on the way to rescue her mother that absolutely brings this novel to life; it takes guts to drag yourself 1,000 miles from home. I truly loved the deeper message of self-acceptance behind this book and can only hope that more readers find that same warmth, to make MOSQUITOLAND a quiet classic for years to come.
I received MOSQUITOLAND in exchange for an honest review from Headline. My reviews always represent my own opinion.